by danhermes | Sep 17, 2012 | Moving Paintings, Moving Paintings - Featured, Moving Paintings - Headlines
Traditional visual art involves the translation of three dimensional elements into two dimensional space. Early painters took the leap into perspective, depth, and form, and much of Western fine art has delved deeper. This translation requires many abbreviations,...
by danhermes | Sep 17, 2012 | Moving Paintings, Moving Paintings - Featured, Past Exhibits
An Art Technology New England salon at the Boston Cyberarts Gallery features Dan Hermes, artist and writer, presenting from his forthcoming book called Moving Paintings. Video and time-based art will illustrate topics, theory, and history of motion in fine...
by danhermes | Apr 3, 2012 | Moving Paintings, Moving Paintings - Headlines, SeePastTech
“Walter Ruttmann (28 December 1887 – 15 July 1941) was a German film director and along with Hans Richter and Viking Eggeling was an early German practitioner of experimental film. Ruttmann was born in Frankfurt am Main; he studied architecture and painting and...
by danhermes | Mar 5, 2012 | Moving Paintings, Moving Paintings - Featured, See Past Tech - Featured, SeePastTech
How do line, shape, and color behave when the gates of Time are suddenly opened to them? I suggest that even the most skilled artisans have only just begun to explore this question. The prevalence of narrative in moving mediums has marginalized this question for many...
by danhermes | Sep 9, 2011 | Art Reviews, Art Reviews - Featured, Digital Arts, Moving Paintings, Moving Paintings - Headlines, See Past Tech - Featured, SeePastTech
Robert Seidel is one of the more original and skilled video painters alive, wielding novel techniques, a solid color concept, and a heartfelt sense of time. His work recently showed on the world’s largest LCD display, mounted on the Seoul Square Building in...
by danhermes | Jun 22, 2011 | Digital Arts, Moving Paintings, SeePastTech
The Lytro camera employs a breakthrough technology called a microlens array to gather a significantly larger amount of data with each shot. The photographer, or others, can later sift through this data using computer tools, adjusting the focus point of the picture in...
