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Published March 5, 2012 at 9:37 pm
How do line, shape, and color behave when the gates of Time are suddenly opened to them? I suggest that even the most skilled artisans have only just begun to explore this question. The prevalence of narrative in moving mediums has marginalized this question for many years. Of course a great film does wonders with
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Published November 12, 2011 at 10:59 am
What is it with the incessant lamentation that artists didn’t “get what they deserved while they were alive”? It’s probably their own fault, so knock it off. Take note of the artists who sought attention in their own time compared to those who did not. What sense does it make to mourn those who didn’t bother asking for recognition?
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Published September 9, 2011 at 12:16 am
Robert Seidel is one of the more original and skilled video painters alive, wielding novel techniques, a solid color concept, and a heartfelt sense of time. His work recently showed on the world’s largest LCD display, mounted on the Seoul Square Building in Korea. The screen stands at 78 meters (256 feet) high, stretching 99
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Published April 14, 2011 at 3:39 pm
review by Dan Hermes – Drawing with Code: Works from the Anne and Michael Spalter Collection is a computer-generated art exhibition at the deCordova Sculpture Park and Museum in early 2011. Pieces date from 1952 to 2007 and draw on twentieth century visual art inspiration, bold color juxtaposition, strong visual composition, and shapes speaking for
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Published August 10, 2009 at 4:24 am
A computer is a wondrous tool, but playing with a wondrous tool is not the same as using it to build visual art. The eyes can see the difference. Timeless visual art can be seen with the eyes of the face, the eyes of the mind, and the eyes of the heart. The eyes
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